NaNoWriMo mom-style

November 1 marks the beginning of NaNoWriMo, an acronym for National Novel Writing Month. The idea is simple: start with a blank screen or a fresh sheet of paper and write 50,000 words by the end of the month. The effort has its own website with forums and everything. It doesn't matter whether the words are coherent; Everyone who reaches 50,000 words wins.
I can't do that.
There's no way, not with four young kids, a freelance article due in early December, Christmas shopping, a century-old house that needs lots of TLC and--oh, yeah--not without further neglecting my own physical health.
But something happened today that got me thinking.
I was talking with my agent about the progress of my next novel. When I got off the phone, I felt a rush of creative adrenaline. In less than 45 minutes, I wrote another 1,000 words--solid, strong, plot-moving words. It was the thrill of deadline pressure that had motivated me, even though it wasn't real.
My agent made it clear that he didn't want to rush me, but I can't resist a challenge, even an imagined one. In my 11 years as a full-time newspaper reporter, I never missed a deadline (though I've made some editors sweat). I thrived on the breaking news, the kind of stuff where targeted reporting, fast writing and just the write amount of clarity and creativity could land my story on the front page.
So why not put that to use.
I can't write 50,000 words in a month, but maybe I can write 25,000 words. That's less than 1,000 words a day, 834 words to be more precise. I don't want to start fresh, not when I'm already one-third of the way through my next novel, so I can add to that instead.
I won't officially join the NaNoWriMo effort either. The forums and emails are too distracting. I have trouble enough with Facebook, other writing forums and the twin parenting forums I frequent. I'll be a loner unless some other busy writer out there wants to join me in some parallel word play.
Instead of answering to NaNoWriMo officials, I will answer here on my blog. I will provide updates in the middle of the month and at the end. And I will remain choosy about my words. No junk pages. No ramblings. Nothing expendable.
Though the stream-of-consciousness writing can be helpful for newer writers who are intimidated by the length of novels, I find it's too much work to sort through the yucky stuff. It's easier just to write well to begin with.
One last thing.
I won't wait until November 1.
I'll start right now.

Short Story America: the future of short fiction?

A cool thing happened today.
I got a call from Tim Johnston, publisher and co-editor of Short Story America. I had submitted a short story to his site less than a month ago and he wanted to publish it.
Even cooler is the site itself.
Short Story America is a start-up with a unique business model. My story, "Balance," will appear as the Story of the Week beginning Friday. When its run is over, it will be moved to the Contemporary Library with all the other formerly featured stories. At the end of the year, Tim and his co-editor, Sarah Turocy, will compile those stories into an anthology, which will be sold in book format. At some later point, all the short stories will be available as audio downloads.
I get $100 for the story plus 15 percent of royalties on all audio downloads. I will share 15 percent royalties with the other authors in the anthology. All royalties will be calculated after publication and marketing expenses. A little different, but I'm okay with that since all the start-up money is coming out of Tim's pocket.
That's not a lot money as far as royalties are concerned, but I can't think of many other short stories publishers who offer royalties at all. In fact, I can't think of any.
Short Story America keeps permanent nonexclusive rights, which might be a dilemma for career short story writers who plan to publish collections on down the line. But not for me.
I am primarily a novelist. If publishers so desperately want to compile my short stories into a collection, they are still welcome to use "Balance." If they don't like the deal with Tim, I'll write another one to fill the slot.
Coolest yet is the look and feel of the site.
Short Story America uses flash technology to make the stories look like real books with illustrated covers, bios and all. Readers click and drag, or just click on the page corners to turn them and it makes a sound like a real page flipping.
My kids had a blast tonight just playing with the pages.
Readers must be members to access the stories, but membership is free.
Personally, I'm thrilled just to be part of this new venture. Some folks are critical, of course, but the short story market must evolve somehow and this seems to me a different and interesting way to do it.
I wish Tim, a short story author himself, and Sarah the greatest of success, not just for my sake, but for the art of short stories and its the survival in this ever-evolving technological world.
They might just have something here.

Meet Dee Garretson, author of Wildfire Run

My 10-year-old son is an avid reader and a tough critic. So when I received a copy of Wildfire Run, a debut middle-grade novel by Dee Garretson, in the mail I went to him first. I’d barely gotten through the first chapter when he ripped it from my hands and said, “Leave me.” I had to slip the book out of his room when he wasn’t home to finish it on my own.
Even I had trouble putting it down.
Wildfire Run is the story of Luke Brockett, the President’s son. Just once, Luke would like to be normal, to hang out with his friends at Camp David, the presidential retreat in Maryland, and maybe even do something slightly dangerous. But Luke can’t do that. Not with Secret Service agents watching his every move.
Then an earthquake hits, triggering wildfires and other disastrous chain reactions that injure and possibly kill several adults, including those assigned to protect him. Luke and his friends, Theo and Callie, are on their own, trapped in Camp David while wildfires roll in from every direction. They must escape a place designed to keep the worst of terrorists out while also saving those who were supposed to save them.
The result is a novel packed with suspense, but still grounded in the normal struggles among tweens and their friends. Somehow Dee Garretson manages to create a main character who, despite his high-brow status, is no different from any other kid. And while doing all that, she offers a book that is “teachable.” It is filled with historical references and other information about the presidency that makes Wildfire Run appealing as classroom literature.
As a writer, the novel left me wanting to know more about Dee, her writing and Wildfire Run. So I asked and here is the result:

Originally from Iowa, Dee lives in Cincinnati with her husband and two children. She has a bachelor’s in international relations from Tufts University and an associate’s in landscape horticulture from Cincinnati State Technical and Community College. Until she decided to commit to writing full time, she worked as a landscape designer and taught landscape horticulture.

The trailer for Wildfire Run.






Me: At what point in your life did you discover that writing fiction was your passion, something you wanted to pursue as a career?

Dee: I have to say I don’t think of writing as a passion for me. Reading is, but not writing. Writing is more like an intriguing puzzle to me, something I have to solve. I love to make up stories in my head, but the writing down of them is hard work. I wrote stories as a child and a teenager, stopped in college, then started again when my now fifteen year old son was a baby. I was at home with him in a town where I didn’t know many people, and I needed a way to keep my brain occupied. I can’t pinpoint when I decided I wanted to write as a career, but it was about five years ago that I decided I was going to pursue it with all the energy I could spare. That was also at the time when my daughter started first grade and I had bigger blocks of time to write.

Me: Why middle-grade fiction?

Dee: I had spent years working on mysteries and was very discouraged that I wasn’t getting enough interest in my work. My son was at the age where he was reading middle grade and he was so excited about some of his books that he wanted me to read them. I did read some of them, and really enjoyed the mix of adventure and humor I found in them. I like to write in a lighter style, more plot than character driven, and that’s another aspect of middle grade that appealed to me.

Me: What was the inspiration for Wildfire Run?

Dee: Way back when Jimmie Carter was president, I remember hearing all the criticism of his daughter, Amy, for reading a book during a state dinner. All I could think of at the time was that would have been me. It made me aware of the strange lives presidential children lead. I didn’t think much about it again until the presidential primary races in 2008. There were several candidates with younger children or grandchildren, and it led me to again wonder what life would be like for children in that situation.

Me: You have this amazing combination of traits. You are artistic, yet you also seem to be methodical and practical. You wrote this wonderfully creative book with a suspenseful plot, well-drawn characters and vivid descriptions, yet you also know your audience well, researched the details thoroughly and acquainted yourself with the ins and outs of the publishing world, particularly in your genre, before you even sent out your first query letter. Is this approach learned from experience or is this just the way you do things?

Dee: I have you fooled! It is true that I had come to understand the publishing business before I sent out the first query for Wildfire Run, but that is only because I spent all those years before that attempting to get other works published. I learned so much during that time, especially the importance of studying successful popular books to understand why they appeal to readers.

Me: Among the most notable techniques you apply in Wildfire Run is the use of minute detail to advance the plot and build suspense. How did that develop? How did it become part of your writing? Was it conscious or did it just make sense to you and start flowing?

Dee: I’m a big fan of thrillers (those written for adults), and when I decided to write this story, I knew I would need to use those techniques to give the reader the sense of foreboding that the main characters only gradually come to feel. It’s a fun technique to work with, because it gives more options in terms of imparting information to the reader.

Me: Where did Luke come from, his character? Did he change from the beginning of the writing process to the end? Are there any characters who changed dramatically from start to finish or who shifted in importance as you wrote?

Dee: Being the child of a president or any extremely successful person has to be incredibly difficult. I’ve known a few people whose childhoods were overshadowed by their parents’ wealth and power, and it seemed to make it more difficult for them to find their way in the world. My initial concept of Luke did not change much throughout the writing process, but once I had written the external adventure, I went back and strengthened his internal journey. I’ve very concerned about pacing, so getting the storytelling right was important to do first. My philosophy for this kind of story is that if you can’t get the reader pulled into turning the page to find out what happens next, they won’t care about the characters’ internal struggles.
The character of Callie, Luke’s friend, did not change so much as have her story trimmed. I’m very attached to the character and I wrote some chapters focused more on her. Unfortunately, those had to be cut to keep the story moving forward.

Me: How difficult was it to research Camp David; the social and emotional struggles of a First Child and the Secret Service? How close to reality did you feel you had to come in Wildfire Run?

Dee: Researching Camp David and the Secret Service was extremely difficult because I wanted an accurate feel to the book, yet, of course, for security reasons there is not much factual information available. I read every nonfiction book I could find that had mentions of the place and of the Secret Service. I purposely stayed away from any fiction, because I didn’t want to be influenced by other writers’ imaginations. I admire anyone who chooses to be part of the Secret Service for their level of dedication to their jobs, without letting their own political beliefs interfere with the way they carry out their responsibilities, and I hope the respect I have for them shows in the book. I’ve always followed politics and the people involved, so the issues facing different first families were something I felt like I already understood.

Me: Do you intend to stick with middle-grade fiction or do you plan to experiment with other genres?

Dee: I will stick with middle grade fiction for the moment, but I also want to go back to my historical mysteries, and someday I’d like to tackle an epic fantasy.

Me: Is another novel forthcoming? When can we expect it?

Dee: I just finished a second middle-grade adventure, titled Wolf Storm at the moment. It’s about kid actors on location filming a blockbuster sci-fi movie. They get trapped in a blizzard and have to figure out how to survive all the things I throw at them. Plans are for that book to be released in winter 2011/2012.

Me: Any advice for other unpublished writers?

Dee: I could fill a book with advice for unpublished writers, but I’ll just stick with a few bits here. Read as many books as you can in whatever genre you are writing in. There are a couple of reasons for this. One, you don’t want to spend months accidentally writing something too similar to a popular book that’s already out there. In the last year I’ve read the manuscripts of two unpublished writers with that very problem. Because they hadn’t widely read in their chosen genre, they wrote stories no agent would take on because they couldn’t sell the work.

And that brings me to the second reason. You can’t ever forget publishing is a business, a very competitive one, and there are an amazing number of good books out there. It’s too easy to fall in the trap of being overly pleased with your work just because you’ve managed to finish something. Often a writer doesn’t go into the revision stage with a critically enough. Because you have a vision of the story in your head, it can interfere with your analysis of how the story actually reads. Your readers don’t have your vision, so if you slip up in the storytelling aspect of the story, you’re going to lose them in spite of how well written your work may be.

Me: How does it feel to finally see your novel in print?

Dee: I had a weird, unexpected thought when I unpacked my author copies. I held the book, which is relatively small and lightweight and I thought given all the years of work that went into getting to this point, it should weigh much more. It is a thrill to see it in bookstores and it’s even more of a thrill to see it in libraries. I love libraries and the idea that it’s going to be in some for a long time makes all the work worth it.

Doggy days are here again

No more dogs.

Never again.

That was my firm declaration more than three years ago after we re-homed Biscuit, our Australian shepherd mix.

Biscuit needed more exercise than we could give him after the twins were born, and he let us know by becoming more aggressive about doing his job. He slipped out the door whenever it opened and herded the neighborhood, once nipping a brawling basketball player in the calf.

We had no choice after that.

We gave him to a family who knew what had happened. The father was good friends with our veterinarian, who assured him that Biscuit had intended no harm. Biscuit was gone when the older kids returned from school one day.

They were devastated, especially our daughter who suffers from high anxiety.

I never ever wanted to go through that again.

But our daughter begged.

And her older brother begged.

And, I had to admit, I missed the distraction of a dog while writing. I missed the security of having an alert little creature at the foot of my bed whenever my husband was out of town. I missed the motivation to walk a mile or two regardless of the weather or the hour.

And then my husband admitted that he wouldn't mind taking a break from his work-at-home job every now and then to toss a ball around in the yard. What happened with Biscuit would not repeat itself, I knew. The twins were an unexpected surprise. We never would have adopted a dog had we known they were coming.

So I relented ... under one condition.

No dogs less than one year old.

No more potty training for me.

No way.

No how.

At 3.5 years old, one twin still struggles with the whole concept. I was tired of dabbing, soaking, spraying and steam cleaning. Tired of watching a young one's every move to ensure that he made it to the potty on time. Tired of always being on that kind of edge.

I was firm.
Yet here I sit with the soft, warm body of 7-week-old Clover curled up on my lap.
The worst part is that I was the one who insisted.
Clover is a Border collie/beagle mix, a mistake, according to her breeder. Two registered dogs accidentally ended up in a pen together for less than ten minutes. That 10-minute romp produced a litter of nine. We got the last one.
She is irresistible.
Welcome to the family, Clover.